This practice is based on the last unit and adds more detail

The first model

The second model

The third model

This video is a moving image made up of animations of three models. This is the gradual maturation process of poisonous cells.

The first model is the initial form composed of numerous worms, which are composed of numerous open lines. I want to show the dense feeling in this way and reflect on the difficulty of the generation of poison kings.

The second model was changed into a color model. The reason for creating it with color is that I think it is a kind of poison that can make people hallucinate. The demagogic principle is to make people addicted to a certain feeling, so I think for the addict himself, this feeling can bring happiness, so I use color. This model contrasts sharply with the first two models in order to give a sense of visual contrast.

The third model is the second stage of the formation of Poison King. Countless lines have changed into countless planes, without the feeling of density, but gradually formed the shape of Gu Poison.

More details about poison Gu are reflected through modeling and animation. In addition to visual changes, more attention is paid to the addition of music, hoping to give people a nervous atmosphere. I hope I can convey the meaning to the audience from the auditory and visual senses.

This is a 3D animation made with CINEMA 4D. I want to reflect on the scene of hundreds of insects killing each other in a more realistic way. Because this is the key to the success of witchcraft, I think this process is very important. I have a lot of imagination in my mind about what the Poison king looks like, and I want to be able to represent it digitally. It took two days to render this model, and the final effect was slightly different from what I wanted. I think it was due to the lighting and material, so I will pay attention to this problem in the subsequent creation process.

Some photos, exhibition forms, and venues in the exhibition and arrangement process can also bring different degrees of influence to the works, including the form of play, placement, and lighting adjustment.